My art practice uses typography, visual systems, material processes and audience interaction to make overlooked meanings visible.

I work with text, image, surface, scale and space to explore how people are heard, silenced, represented or reduced. My practice often begins with something small: a mark, a word, a full stop, a fragment of language or a repeated visual form. Through research, experimentation and making, these details become ways to examine identity, control, memory, public voice and the tension between what is seen and what is ignored.

My background in design gives my work structure, but Fine Art gives it space to question, disrupt and invite response. I am interested in work that does not simply present an outcome, but creates a situation for reflection, participation or recognition. The viewer is not separate from the work; their interpretation, movement or response becomes part of how meaning is formed.

Across my practice, I use control and disorder together. Repetition, hierarchy and typographic systems sit alongside collage, texture, material testing and public-facing installation. This allows the work to hold contradiction: clarity and ambiguity, silence and speech, individual identity and collective experience.